Author: MHB

  • PSFK: Postcards From Yo Momma

    Kathryn Hunt. With RayBans. Before You.smrtgrl Kat Hunt and I were talking about the newnew blog Postcards From Yo Momma – could it be the next
    Stuff White People Like? Maybe so, maybe not, as a friend of Kat’s declared Momma passe….after two days, an ohso New York thing to do. We might be the fastest moving creatures on earth, but does this always lead to innovation?my baby's got a secret
    Pre-2.0, part of being a New Yorker was about knowing secrets. In the era of Flavorpill, Thrillist, etc.. anyone can paratroop into town and dial into what was once clandestine. The counterpunch to this is a spike in secret clubs/bars – Milk+Honey, The Back Room, Old Rabbit Club – and guerilla dining units. Yet their currency is one of quick cool, not really innovative culture. Is our fairtown flatlining or just us types? Or is this question passe?

    Like the artworld moving from Paris to NYC in the 1950’s, I wonder if BRIC will come to the cultural fore. TATA buying luxury while making the $2500 car. Baile Funk influencing Diplo then to Wburg. Moscow’s billionaires. China PWNing the web. In 2058, is there gonna be a new New York?
    2009

    *my spies now tell me Momma’s got a book deal

  • PSFK: Conference Culturejamming

    Nike + hurdler Liu Xiang(soaked up heaps of ideas at PSFK yesterday, so begins a lil loop of yawps, queries + kisses)

    Earlier this month, Business Week wrote about Pepsi, Nike and other big guns subverting the ‘official’ brands of the Beijing Olympics. But could a brand hack or subversively sponsor an advertising conference? If well executed, would it be well received? I imagine a large conference is fair game, but are the nimble new off-limits?

    Banksy on the inside of 4 museums
    Quicker than quick, cooler than cool.

    6/9/2008
    Olympic Advert Hijack

  • Real Recognize Real

    poochy.jpgAs Eric Henderson and Agency Spy recently wrote, all cultures are rooted in unique codes and mores. If you are an outsider reaching in, be honest about your status, otherwise you’ll just get shook. One of my favorite examples of cultural missteps in the YouTube era is the P Diddy & Burger King collab.

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    On a platform whose billion dollar market value is based in egalitarian DIY, Diddy not only looks pompous, but gets all the codes wrong. BK ‘bought’ him a YouTube channel? And so this gets flipped by Lisa Nova to the tune of +1.5 million views.

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    It spawns a raft of other spoofs and poor press for both ‘Kings’. While DiddyTV is going strong, BK is MIA and Young Nov’ is keeping it real in the YouTube era.

    read about it in this book, matey

    12/10/08 Naked shows that Diddy just seems to be outta touch. It aint even that’s he’s so lux, he’s just so lame.

  • Beautiful Losers

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    As piracy remixes the old business models of music and film, the money ‘lost’ doesn’t disappear, it just gets spent elsewhere.

    When I was a teenager, I’d spend money on music in the act of fleshing out my personality – (both publicly and privately) – Rolling Stones/Tribe Called Quest/Blues Traveller, etc… Each $12 CD added what I felt was another aspect to myself. And since the 90’s things done changed – thanks to the internets, a kid can change his entire music collection (and subsequent claims to identity groups) in an afternoon and at no cost. With the decrease in cost of music, so decreases the social value one can gain from association. Sacrifice of money is no longer part of the equation music = identity.

    So where does the money + value go? While music can easily be ripped to possess, this is not yet possible with clothing or aspects of industrial and artistic design. Digital as we are, these products are still quite tangible, and I think now carry an even greater value in our quest to claim individuality. Witness the rise of Threadless and Etsy. Nowadays there are far more subsets and identity groups amongst teens – and the nuances are oft fleshed out via the visual language of clothes and accessories. Well, where is this heading?

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    In the 80s, Punk and Hip-Hop empowered everyone to become a musician. Cool kids were in bands. In the 90s, Tarantino and Robert Rodriguez did this for filmmaking – cool kids rocked a camera. Next? Premiering at SXSW, the doco Beautiful Losers, is a window into the world of the DIY artists that coalesced toward the end of the 90s. While once they were fringe, they have since become mainstream, and the new cool sees them kids rocking photoshop and silkscreens like an electric guitar.

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  • Stuff White People Like (and don't)

    aadl024larry-bird-posters.jpg Christian Lander, EIC of the blog Stuff White People Like, just inked a book deal for 325K. While the blogosphere has been ripe with race-based blogs for a while, this might be the first of its kind to go from pixel to print. I’m now curious to see the tone of future white-scribed humor blogs that touch on racial politics and poetics.

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    Of note is that SWPL, and its progenitor Black People Love Us, are both racially self-immolating. Based in the concept of white folks being goofy and absurdly unaware that ‘others’ are equals, not exotics, this brand of humor doesn’t spit fire beyond the white man in the mirror.

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    Historically, white (liberal) comic commentary has avoided other races, while on the flipside comics of color use greater narrative freedom in speaking their mind. One root of this is simply in our nation’s power structure – white people get to run the country and so everyone else can have comedy & cool. Now does this rubric change if Obama becomes president? Will white folks then feel a new sense of comic and cultural freedom, so that next time someone says “Larry Bird is overrated”, they’ll retort with ease “Yeah, well so is Antwone Fisher.”

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    (black people love this movie)

  • Good Friday ROI

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    At the entrance to the Bedford L this morn, a chap was handing out the above card to commuters. So simple and so direct, no need for the www. He rocked a wry smile, knowing that his ROI would likely be astronomical, either as a sting operation or a truly green enterprise.

  • MSLM & The Pirate's Dilemma

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    So on the same day that I threw a rock at Vice, from Amazon arrives The Pirate’s Dilemma, a book about remix culture penned by Vice contributor Matt Mason. Love good timing. I opened the package, opened the book and was like a kid in a candy store. Here is a quick slide show that outlines his thesis:


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