Category: Our World

  • Copyright

    Penguin V. Kitten
    Deep in the Desedo laboratory, our caldron bubbles. Wondering about copyrights, we asked a legal friend and he said the below. Succinct and smart, so we’ll share:

    You can only copyright expressions and not ideas. Ideas are free, but the creative expression of ideas benefit the public so much that the government is willing to give a monopoly to the expression’s creator. What this means here is that the first you must do is to never say that you want to own the idea. That is untenable.

    And in order for an expression to be copyrightable, it must be fixed in some tangible medium (on paper, on video, in computer code…). The medium that it needs depends upon what it is that you are trying to copyright. It is okay for a composer to write down the notes of a song, or a choreographer to write down dance steps, and then copyright that piece, but your expression may need something more than just paper fixation.

    For example:

    A person writing down the idea to have the interaction between the computer and the user to be graphically based with certain icons representing certain tasks, thus alleviating the need for all users to use typed commands is not copyrightable because it is an idea; but when someone writes a program that actually performs that function, then the idea has been expressed in a fixed form, with the code being the fixation. Your idea requires for the code to be written – that is a viable expression.

    Pirate V. Pony

    Now, if the technology already exists for your expression to come into fruition, you can simply compile that already fixed technology into a package and copyright the compilation. The trick is that you must actually compile it into a functioning compilation. The analogy would be if I wanted to publish a compilation of ancient Roman bed time stories, I would first have to actually gather all of the stories (I chose ancient Roman because they would all be in the public domain already) and put them in order and add whatever commentary I wanted to add before I registered my copyright. Now this copyright would only protect the unique expressions:

    My added commentary (because it is truly original and fixed) and the order and arrangement of the stories (not the stories themselves).

    If I wanted to compile stories that were actually still protected with valid copyrights I would have to transform them some how (like via parody) so that the transformative elements could be copyrightable and I would not have to pay the original copyright owner any royalties. (Spaceballs/Star Wars)

    So with this in mind for any tech based content, one approach is to create the program with public domain software (like RedHat) that can handle everything you need, as it is difficult to prove a transformative use on someone else’s software.

    Hero or Villain?

    Dive deeper? Here is Lawrence Lessig on Charlie Rose.

  • SOE – and the hustle

    soe ad3

    File this under the “they shoot things, don’t they?” category. This collaboration followed from the series of 20 music docs about New York City bands we did for Sony a couple years back. Lead singer DJ McNanny’s former band Neutral Mute and I collaborated on what became a kind of pet project — shooting footage from time to time vaguely in service of a music video. Though that band eventually went on hiatus, DJ’s new band AAAPE has started playing out. And his label keeps pumping out the dope remixes.

    In between, we ended up with a branded song, or an ad for a music video, or a two-minute thingy (technical term) that looks cool and allowed me to get my Terry Richardson on.

    soe ad 4

    Looking at the finished pics, there’s a temptation to holler, “our friends are cooler than yours!” But the simple truth is, that’s just how we roll. At least that’s what I tell the guys over at Citibank who keep calling. Rakesh what up, baby!

    Enjoy our State of Elation. And look out for the fragrance.



    That’s worldwide hottie Allison Caviness bringing a new level of cool to sunglasses. And, of course, she’s already shot with Terry Richardson.

  • Windell Middlebrooks

    the champagne of spokesmen.
    the champagne of spokesmen.

    Best. Name. Ever. The actor who plays the beer deliveryman for Miller High Life is Windell Middlebrooks. He grew up in Texas and has a BA+MFA in Theater. Wondering if it’s a stage name. I’m having name envy.

    He gets mad love in Milwaukee and in a small rabbit hole of WTF!? he threw out the first pitch at a Brewers game, introduced by his real name, yet in character and costume.

    jabk8BR0M64
    Riding the wave of our brokeass economy, Miller is doing a :01 Super Bowl spot in lieu of a :30 (or so they say). A grand way to position the brand as a friend to the millions who’re feeling the pinch – and without being a cloying drag. Better still, both the scripts and acting are brilliant. And best is that the ‘outakes’ stretches long, dumping you into a Dada sandbox, which is just fine with me.

    K9GwHnU2ESEHT to AS

  • Smarten Up, Open the Market Up.

    I’ve been watching heaps of brand strategy presentations this week, some of which I think are top shelf.

    Below is what Adrian Ho from ZeusJones learned from the structural shortcomings of advertising. And what he decided to do about it.

  • Desedo Does DC

    How, you may ask, did team Desedo score passes to the national media pool? Well, there are trade secrets, alas, even in our open-source hearts. Look for some motion pictures of the inauguration from us soon.

    But we’ve also covered the event in the industry press. Here’s an article I’ve written in AdAge on diversity, youtube, and the industry.

    The advertising world has had its own race issue, on the table now for more than 40 years, but has yet to find a voice that can apply salve to that gaping wound whilst moving an otherwise ailing industry toward reconciliation.

    Read the full piece in Ad Age here. Or in the business section of Huffington Post, another space where we’ll soon be penning more thoughts.

  • Sexy Time

    We are pleased to announce that our dude Derek Lo
    aka The Big Asian has been dubbed 2009’s Sexiest Man in Advertising. Should you wanna grab his chain, he spins them records round and round every Friday night at Happy Endings. And he might be wearing a crown.

  • (we like) Soap In Our Eyes

    We’re drafting a GLBT transmedia narrative with the Emmy-winning sudser Peter Brash. So in order to smarten up on soaps, I’ve been reading the writings of our pal Sam Ford.

    While at MIT, Sam’s studies focused on the worlds of soap operas and professional wrestling – two highly sophisticated narrative structures that are all too often looked at askance.

    These two worlds provide an unparalleled on/offline space for fan immersion into narrative. One of the best examples I’ve ever seen is described below, cribbed from his thesis As The World Turns in a Convergence Culture

    The most interesting of these interactive extensions…launched in late March 2007. Brad and Katie, two characters on As The World Turns who host a (within text) show called Oakdale Now, decided to have a contest where viewers would write in explaining why Brad and Katie should come to their home and help them complete their least favorite household chore….

    Brad and Katie then choose one of the entries for a cash prize and would also go to their home to do the chore, with the cameras rolling. The twist, though, is that the contest was actually opened to ATWT viewers, with the winning essay getting a $5,000 cash prize and a visit from Brad and Katie to do the promised chore, with the actors actually coming out to the winning fan’s home in character.

    The show aired them doing the chore as a segment filmed for their Oakdale Now show, making one of the fans—and their home—part of the narrative world. As opposed to the other interactive forms of content, this Oakdale Now contest [actually] invited viewers to become part of the narrative.

    a7eRzOLP1gEcontent gets relevant @1:47

    Fiction intermixing with Game Show, Reality and News Magazine structures. Note that Brad says they got 25,000 entries. Pure Genius.