Tag: Jay-Z

  • On To The Next One

    jz

    Jay-Z’s video for On To The Next One is brilliant. It feels controlled yet crazy. It times image to sound perfectly. And, it has Community‘s Joel McHale playing The Joker. When describing the video from script to screen, director Sam Brown said:

    I’m aware that as I’m shooting the images are getting darker and odder. Jay and his people came and went so they haven’t seen anything else. I wonder what the hell they’re going to think of it all. Whenever I’ve been given a big opportunity I’ve tried to be a bit reckless with it, to take chances. It’s very rare that this doesn’t pay off in some way. Playing things safe never gets you anywhere.

    WM1RChZk1EU

  • City Secrets

    idotu

    When I first heard Jay-Z’s new song Empire State of Mind, which is a personal map of our hometown, I began to visualize the locations as data points: Stash spot @560 State. Tribeca Grill. MSG. Turns out I was not alone, as Tyler Gray of FastCompany placed Hov’s lyrics to Google Maps. Cool, novel, and any other adjective that can be used to explain how we remix stories within new media.

    locations

    I asked myself – how could this become even more entertaining? And then, via the Google Geo Developers Blog, I learned that Japanese designer Katsuomi Kobayashi created a driving simulator that uses Google Maps – so that you can drive around any city via the interwebs. Like GTA. 2D or 3D. OMFG.

    Perspective

    What if we could meld the two? Therein lies a game of some sort. Alternate or augmented or awesome. Via your computer screen or handheld device, sit in Jay-Z’s SUV and drive around his NYC. It’s like a dash of 2nd Life, and a pinch of ARG and heap of reality to mix it all together. Where can we put this thinking to use for transmedia elements of a narrative, an album release or an advertising campaign? Perhaps, within Heart of the City?

    —-
    (Written by erstwhile Desedo intern Jeff Slawsky, a strategist, NYC native and rabid UMich fan.)

  • Swagga Juice

    One of the things we’ve been talking about recently at Desedo is the fluidity of identity. How different situations bring out different facets of one’s personality or brand and how this fluidity gives a picture in the round of a complex object. Witness Kanye West performing with Jay-Z in three acts:

    Hip-hop

    Hip-hop for adults

    International superstars
    full-on swag

    What we also see in these photographs is the progression both men have made as they’ve grown from being popular in hip-hop four years ago to pop icons today.

    Incidentally, Webster’s lists the etymology of the word swag as potentially derived from the Norwegian svagga to sway, rock; akin to Middle Low German swacken to rock. In other words, last night’s Grammy performance was a return to form.

    More reasons why the world needs more tuxedo owners and their swagger (like us).

  • Brooklyn We Go Hard

    Love this new vid, made by Evan Roth, one of the originals from Graffiti Research Lab. And, uh, anyone else think Jay cribbed that voice-buckle from Wayne?

    link from Michael Karnjanaprakorn

  • Colors of the Business

    Nature beckons.

    Another day, another NYC Commission on Human Rights hearing on diversity in Advertising — this one good for a couple dozen attendees. The fact that this issue is more than forty years old seems at this point to be a non-starter for everyone involved, not least of whom being the agencies themselves. That an issue of such obvious impropriety can linger for so many years points to both its lack of traction within the hearts and minds of the people running the agencies as it does to the lack of a market imperative for it to gain traction. In fact, the lack of a market imperative lays bare the fact that very few metrics have actually been invented that can accurately track and improve the usefulness of advertising to consumers. The entire field of planning has exploited this data dearth. The rise of so-called inverted agencies or others with experimental revenue models such as Anomaly points also to the opportunity for adventurous financial thinking to become a way forward for much-needed change in the industry as a whole.

    One need look no further than the related entertainment industries of music and film to see examples of old-school industries struggling with the breadth of a changed marketplace. Diversity is, at its heart, an issue that stands to gain much from changed market dynamics. The discovery of the Long Tail of the marketplace which has been exploited by online mega-retailers has yet to have produced success stories in other industries such as advertising (if you don’t count Google, that is). The minority shops in particular which, because of their supposed greater knowledge of specific consumers, might have greater facility in marketing products that sit in the middle of the hit curve seem to have been hampered by business models that are overly based on (and dependent upon) business and marketers left over from the general market shops.

    my favorite big thinker

    Whether or not vapor-ventures such as Translation Advertising, Jay-Z’s Madison Ave. shingle, can be a financial success seems beside the point ultimately. Business models are cannibalized by better business models. There is, to be sure, a competitive advantage to be found in harnessing all of the latent talent not being given its due at the major shops. The company that can use the advantages proffered by a more diverse work force in a changed marketplace will ultimately be the one that carries home the bags of cash that make the rest of the industry turn green, brown, purple and, yes, black with envy.