We’re chairing a 2 day panel about Urban Youth Trends in the DIY era. Got a bunch of great thinkers, looking for some more. The panel is for a major brand, so your time will be well paid. If you’ve got thoughts, please drop me an email.
Tag: Multicultural Markets
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quoi de neuf?
Working on a Bloomingdales digital project for Vox Collective and drinking some Coca Cola with Latino teens for Project 2050, a clip is below:
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African Fashion Index
Our friend Yana Fleming just launched the African Fashion Index, which is the first comprehensive guide of African fashion designers, ‘regardless of race, religion or geographic location.’ Of course, she did this in her spare time, when not pursuing a PhD, running her own design firm or speaking 5 languages. Good heavens. and Happy Fashion Week to all, Dropsquad Desedo is lamping front row.—
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11/11/08 Youth Culture in SoWeTo -
Hipsters
Adbusters claims hipsters to be the Death of Western Civilization. Hyperbole, yes, but also navelgazing BS. Even though they may wear different clothes and sneer across lunch tables, Adbusters and Hipsters are cut from the same cloth. The culturejamming content the mag praises is lauded by the very hipsters they deride.
The thesis of the Adbusters argument is as follows: Ever since the end of WW2, Western subcultures have worked to subvert dominant paradigms and their oppression of art/love/race etc. As the power of punk and hip-hop lost their true pluck, the aesthetics of rebellion mashed up to create The Hipster. Alas this Hipster whirlpool is sterile like a mule, unable to create new content/Meaning, zombies subject to trends and adverts. Thus Western Civilization is toast, faced with “a youth subculture that mirrors the doomed shallowness of mainstream society.”
Some truth there, but the sky aint falling.
Since we now live in the quickening of an instant era, anything that catches as cool will spread as fire. Unavoidable and certainly leads to repetition in NYC. But if we burn our fort, what does Adbusters truly expect us to do? Go East/3rdWorld and jack ‘culture’? Make the post-colonial claim that foreign lands are so much more authentic/ pure/real? Do something meaningful, be like Bono and um, ‘save’ Africa?
Just as ‘Alternative’ music became mainstream rock, “Counterculture” (as evinced by The Hipster) is now folded into mainstream culture. The singular Hipster aesthetic has ossified and is now no different from the uniform of a preppie/jock/hiphopper etc.. But the costume of tight jeans and a Keffiyeh is simply a collection of visual cues that signify membership to a group, just like baggy pants or pearl earrings. So Counterculture aint dead, it just might now be looking different.
Both the West and The World are currently living in an unprecedented state of remix and creation. There are more tools of authorship, identity and distribution than ever before – and these tools bring forth new sub and countercultures, ones that may have been ignored not only by the mainstream, but also by the dominant counterculture. Possibly even by Adbusters, who close their article with this strangled swan song.
We are a lost generation, desperately clinging to anything that feels real, but too afraid to become it ourselves. We are a defeated generation, resigned to the hypocrisy of those before us, who once sang songs of rebellion and now sell them back to us. We are the last generation, a culmination of all previous things, destroyed by the vapidity that surrounds us. The hipster represents the end of Western civilization – a culture so detached and disconnected that it has stopped giving birth to anything new.
Good Heavens. Rather than cueing dirges, I wanna know why Adbusters is looking at the hipster to signify the progress or failure of Western Civ. Makes me think that the mag is well out of touch, lapping at the pool of cool irony and now indistinguishable from those they once tried to bust.
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Colors of the Business
Another day, another NYC Commission on Human Rights hearing on diversity in Advertising — this one good for a couple dozen attendees. The fact that this issue is more than forty years old seems at this point to be a non-starter for everyone involved, not least of whom being the agencies themselves. That an issue of such obvious impropriety can linger for so many years points to both its lack of traction within the hearts and minds of the people running the agencies as it does to the lack of a market imperative for it to gain traction. In fact, the lack of a market imperative lays bare the fact that very few metrics have actually been invented that can accurately track and improve the usefulness of advertising to consumers. The entire field of planning has exploited this data dearth. The rise of so-called inverted agencies or others with experimental revenue models such as Anomaly points also to the opportunity for adventurous financial thinking to become a way forward for much-needed change in the industry as a whole.
One need look no further than the related entertainment industries of music and film to see examples of old-school industries struggling with the breadth of a changed marketplace. Diversity is, at its heart, an issue that stands to gain much from changed market dynamics. The discovery of the Long Tail of the marketplace which has been exploited by online mega-retailers has yet to have produced success stories in other industries such as advertising (if you don’t count Google, that is). The minority shops in particular which, because of their supposed greater knowledge of specific consumers, might have greater facility in marketing products that sit in the middle of the hit curve seem to have been hampered by business models that are overly based on (and dependent upon) business and marketers left over from the general market shops.
Whether or not vapor-ventures such as Translation Advertising, Jay-Z’s Madison Ave. shingle, can be a financial success seems beside the point ultimately. Business models are cannibalized by better business models. There is, to be sure, a competitive advantage to be found in harnessing all of the latent talent not being given its due at the major shops. The company that can use the advantages proffered by a more diverse work force in a changed marketplace will ultimately be the one that carries home the bags of cash that make the rest of the industry turn green, brown, purple and, yes, black with envy.
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The Internet Celebrities
Our friends The Internet Celebrities just released their new short Checkmate. Ad industry people take note, their Ghetto Big Mac clip served over 1 million on YouTube, and creator Dallas Penn’s blog gets 6K uniques daily. Give a shout if you want an introduction, the dude is a wicked copywriter.
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