It only took us five months since shooting… but we got it done. Here’s the video for Thaddeus Clark’s Downtown/Connect. The (banging) song is available for download at hellabasic.com. Special shots to my editor Jay Morales who slogged through many weekends and evenings to help bring this to the light of day.
Tag: Music Video
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On To The Next One
Jay-Z’s video for On To The Next One is brilliant. It feels controlled yet crazy. It times image to sound perfectly. And, it has Community‘s Joel McHale playing The Joker. When describing the video from script to screen, director Sam Brown said:
I’m aware that as I’m shooting the images are getting darker and odder. Jay and his people came and went so they haven’t seen anything else. I wonder what the hell they’re going to think of it all. Whenever I’ve been given a big opportunity I’ve tried to be a bit reckless with it, to take chances. It’s very rare that this doesn’t pay off in some way. Playing things safe never gets you anywhere.
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Crookers Contest
We’ve been getting a lot of love for our Crookers ‘Remedy’ video. And like good, young thieves we’re giving back.
To be precise, we’re giving away the payphone, the VW logo and the $ chain that our lads stole in the music video. Gotta love the foolishness of youth.
Like the time I broke into a Burger King and and walked away with a 6 foot cardboard T-Rex (promo for the The Lost World). Or that vending machine in Maine. And all those Upper Deck baseball cards.
So, how to win? In the comments section of this post, tell us about your most absurd act of petty larceny. We’ll select our 3 faves and snailmail you one of these here crooked items.
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Fader, NME & URB: Crookers
Our Crookers music video premiered this week on NME. It’s also getting love from The Fader, URB and over 100 blogs from across the globe.
Directed by Paul Kamuf, lensed by Paul Starkman, cut by Neal Usatin and with a cameo by MHB, it’s clocked over a quarter million views throughout the web.
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On GaGa
In 2009, mass culture became transfixed with Lady GaGa. More than 100 videos about her have +1,000,000 YouTube views and every publication has spilled ink about her.
I watched the Bad Romance video and fell under her spell. And so, wanting to understand more, I asked 3 smart people what they find compelling about GaGa.
Christine Huang (on GaGa)
Her blatant exhibitionism and absurdity. I’m not sure if she (or the people who made her) totally planned it this way, but GaGa has turned the media circus in on itself. It’s a meta-spectacle. other pop stars have done it too – obvs Madonna, and even Britney with Circus… but i think GaGa is so far out there, she’s really out to shock. Like Marilyn Manson, but with more talent. and more of a palatable message.
Johanna Beyenbach (on Bad Romance)
In the lyrics, her masochism; wanting something that you know is going to be a disaster because the impending doom adds an edge & makes it that much more exciting.
In the video, I love the clothes, but also how grotesque parts of it are. It’s in top 20 lists alongside mundane videos from Nickleback, Creed, Rob Thomas and Bon Jovi. The fact that she got her slightly disturbing, dark thread through mainstream culture by way of flashiness and haute couture is kind of brilliant.
Courtney Brecht (on GaGa & Bad Romance)
I’m thinking about GaGa in the context of working on my MFA thesis. Part of what intrigues me about her is that I can never get a real sense of what she looks like.
If it’s not the white mohawk vinyl suit that entirely covers up her face, or the jewel crown, or the weirdo computer exaggeration of the eyes when she has that pink hair, it’s something else. Like her body not even being real, note the accentuated back-boniness at one point in the video. She’s really cultivated this desire to make us look at her even more.
My thesis is based on the desire to understand another person based purely upon physical appearances, and how this synchs with approaching a painted portrait. I’m trying to understand this rupture or synthesis between the interior vs. the exterior facade/constructed exterior facade. How do the visible surface and and the interior life come together and how to they diverge? And how do people feed into this?
So as I watch this video, I’m thinking about the history of our efforts to deduce character from physical features, like Victorian social “sciences” of Phrenology and Physiognomy. This was all before psychology, and so people tried to predict criminality, intelligence, even predisposition towards madness based on angles and ratios of the cranium and face.ÂÂ
Modern day, while the bent is less about distinguishing the “other”, we still try to manipulate genes and genetic inheritance (plastic surgery, genetic counseling, hairstyles, fashion, jewelry, etc.) in order to someohow make our exterior a reflection of who we think we are on the inside. Often a transformation of the exterior can really bring about a change in the interior (think the fright wigs/cross-dressing of child soldiers in Liberia-linked to the idea that these things are mystic and bring certain powers), or “real-life superheroes” who put on costumes in real society in order to carry out good deeds (why can’t they just do it in plainclothes?).
I think Lady GaGa, by having this totally outrageous fashion facade, feeds into our society’s desire to glean the inner essence of someone based upon her outward appearance. GaGa has built an entire wall and facade that never really answers any of your inquiries and perpetually keeps you curious and intrigued.
And at the same time, she might be vaguely insecure given that she seems to be able to be outrageous when her face or hair, etc. is covered by wigs or fashion masks or sunglasses. Maybe this is her way of being “LadyGaga the Performer” rather than who she ‘really’ is? Or maybe that is who she is? It’s mystifying….
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Crookers
PK and MHB are shooting a music video for Crookers, bopping all about Brooklyn before Thanksgiving. We’re going to be running fast, feeling like we’re in Sabotage. And you know we like maps, so here’s where we’ll be, all in a day’s work.
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Bite Me
This is a promo we did for HBO’s True Blood via their ad agency. The number 1-877-TO-BITE-U is no-longer active. Which is a bummer, because the youtube commenters were really getting their kicks from calling it again and again during the campaign.