The only blog you’ll ever need.

  • On Set

    gaff that for me homie?
    gaff that for me homie?

    For the record, the Desedo homies have been making it happen with the crews and the lighting and the actors. We even get to use the words “in production.” We’ll have something to show for all this silence at some point, but for now trust that we miss having something to say.

  • Race, Ethnicty & New Media Symposium

    westside, talk it out.

    MHB will be presenting his American-Muslim Consumer research at the Texas A&M Race and Ethnic Studies Institute conference on April 30th.

  • Topshop

    TipTopUK fashionista fave TopShop just opened its first NYC store. Wheatpaste adverts abound. And next to some of the official ads, lurk posters that seem to poke fun at spokesmodel Kate Moss and the brand. Yet they are rather harmless and in keeping with both the brand spirit and aesthetic.
    Easy on that White
    So it makes me wonder if the snarky posters are in fact from the agency running the campaign. Are they creating their own point/counterpoint in an effort to further place the brand within the streetscape dialogue? Is it an effort to make TopShop look all the more fresh and that people care enough about it to talk it out? And if so, where does this fall within the rules of slang and advertising?
    rocking freshdress

  • Work: NY Ink

    Here’s a short doc piece I just did for Format magazine. What you’ll see is a brief look inside the world of the tattoo artist. Three NYC buzzers talk about process, inspiration, and adventures with the needle. We visit inside a popular Harlem parlor, The Black Ink Gallery, and an underground space in Queens.

    What you won’t see is the Pit Bull Terrier owned by one of the artists who bit my leg and took away a large strip of denim. It was, probably, one of the best shots I’ve ever framed. Unfortunately, I didn’t press record in time. Here is the dog, appropriately named Perro, about a second and a half before what I affectionately refer to as the incident.

    my own personal zapruder film.
    my own personal zapruder film
  • Wal-Mart

    Working with consumer insights firm scenarioDNA, we produced this research project for Wal-Mart about teenagers and their relationships with brands.

  • A Certain Regard

    from another Gondry directed spot.

    Yesterday the Times ran an interesting piece about French advertising, noting the cultural (if not legal) norms there prevent such things as the hard sell.

    To us money implies corruption, and moreover, because we consider ourselves the inventors of freedom, never mind if that’s not true, we still consider advertising as a kind of manipulation,” Mr. Séguéla said. “This explains why television commercials started so late here — essentially because leftist opposition saw ads as corrupting the soul.”

    As a result, the ads there tend to be more oblique, elliptical. All of this begs the question of whether the effectiveness of television advertising can be controlled for cultural norms. But for the aesthetes among us, the question is simple: what do they look like? Though the Times failed to link to relevant spots in a current museum exhibit there, the sleuths at the Alley Insider did. Here’s one:

    MKIz-PPoaJo

    Many moons ago, preparing for a year in Europe, I can remember being warned (or was it teased?) that the commercials there would be much more artistic. I was, in the next few days floored by a Levis ad that, over the years, I would remember mainly in fragments. I have attempted to describe its dreamlike qualities many times, but failed to touch in conversation what the commercial had evoked in my impressionable teen psyche. Mainly, that the coolest place to store a condom was highly concomitant with a pair of Levis (now my only brand of jeans). The commercial, I would learn years later, was directed by frenchman Michel Gondry. Allez les Bleus!

    Uj6G1C6c0uw

    The still above is from another Gondry-directed spot featured here.

  • About Face

    Uncle Sam Wants U
    In a US Army effort to boost their ‘human capital’, they will

    begin recruiting skilled immigrants who are living in this country with temporary visas, offering them the chance to become United States citizens in as little as six months… Recruiters expect that the temporary immigrants will have more education, foreign language skills and professional expertise than many Americans who enlist, helping the military to fill shortages in medical care, language interpretation and field intelligence analysis.

    This article makes my head spin with questions. Could have simply posted the link via my Facebook or Twitter, but want to place it within the space of Desedo and talk it out. So:

    The loss of private sector jobs is a boon to the military, as more folks are now enlisting. But should that well run dry, could the US military impose a draft for such an abstract war?

    Each generation of immigrants is denigrated, and then swept into the fold of ‘America’. Will this citizenship via military be adopted en masse by any particular group?

    What artists are speaking with the greatest insight about everyday truth of military life? Certain sonic spaces of country and hip-hop seem to be the closest, as do documentaries like Gunnar Palace. And don’t forget the vital voice of Mommy blogs.